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LINEContour lines- outline the edges of forms or shapes Gestural lines- indicate action and physical movement LINE
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COLORConsists of Hue (another word for color), Value (lightness or darkness) and Intensity (brightness). Henri Matisse Alexander Calder COLOR
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COLORColor has three properties: 1. HUE: this is the name of the colors 2. VALUE: refers to the lightness or darkness of a hue. 3. INTENSITY: refers to the purity of the hue or strength of a color COLOR
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Neutral ColorsNeutral Colors These colors are made by adding a complimentary color (opposite on the color wheel) to a hue. Neutralized hues are called tones.
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Tints and ShadesTints – adding the color white to lighten a hue Shades – adding black to darken a hue Shades- adding the color black. Tints and Shades
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Warm and Cool ColorsWarm and Cool Colors Warm – red, orange, yellow Cool – green, blue, violet
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Slide37The lightness or darkness of a color. MC Escher Pablo Picasso VALUE
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Slide38High Range in Value Low Range in Value VALUE
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Slide392-dimensional and it encloses space Joan Miro SHAPE
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Slide9SHAPE Shapes can be geometric or organic. GEOMETRIC: square, triangle, rectangle, rhombus, circle, cone ORGANIC: free form shapes, shapes in nature; for example: leaves, trees, animals
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Slide42The appearance of a 3 dimensional object which is encloses and holds volume Jean Arp Lucien Freud FORM
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Slide4Shows an object in space, the mass or positive space it occupies. For example, a triangle, which is 2-dimensional, is a shape, but a pyramid, which is 3-dimensional, is a form. FORM
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Slide44The distance or area between, around, above, below, or within things. Foreground, Middleground and Background (creates DEPTH) SPACE
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Slide25Positive (filled with something) and Negative (empty areas) SPACE
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Slide46The surface quality or "feel" of an object, its smoothness, roughness, softness, etc. TEXTURE
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Slide7TEXTURE Textures may be actual or implied.
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Slide47Actual – texture that you can feel with your sense of touch Implied – texture that has been simulated in drawing and painting on a smooth surface TEXTURE
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Principles of DesignPrinciples of Design The ways in which the Elements of Art are organized are referred to as the Principles of Design. They are concepts that affect content and message.
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Principles of DesignPrinciples of Design Balance Emphasis Rhythm Movement Unity Variety Proportion
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Slide50The way the elements are arranged to create a feeling of stability in a work. Alexander Calder BALANCE
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Slide51Symmetrical Balance The parts of an image are organized so that one side mirrors the other. Leonardo DaVinci
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Slide52Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
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Radial BalanceRadial Balance Slice it like a pizza- Each piece will be the same
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Slide53The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt EMPHASIS
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Slide14EMPHASIS The part that catches your attention first.
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Slide54Can be created through the use of many different elements and principles like… CONTRAST PROPORTION COLOR EMPHASIS
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RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM RHYTHMRHYTHM RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM A regular repetition of elements to produce the look and feel of movement. Marcel Duchamp
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Slide15RHYTHM The repetition of lines, shapes, or colors to create a feeling of movement.
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Slide5MOVEMENT The motion created in a work of art. Often uses the principle of rhythm to achieve this.
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Slide60Vincent VanGogh The feeling of action or directional flow
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Slide61When all the elements and principles work together to create a pleasing image. The feeling of wholeness or the parts belonging together. Johannes Vermeer UNITY
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Slide62The use of differences and change to increase the visual interest of the work. Marc Chagall VARIETY
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Slide26VARIETY The use of different lines, shapes, and colors in a piece of work.
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Slide63The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. Gustave Caillebotte PROPORTION
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